Ponekad nam u životu toliko dopizde sva ta sranja s kojima se moramo hrvati da bi smo najradije počeli sve ispočetka. jednostavno ostavili “stari život” i započeli novi, iz nule…novi posao, novi prijatelji, novo okruženje. Ali novi početak ponekad ne znači nužno i bolji život! To je na svojoj koži iskusila junakinja nezavisne Britanske psihološke krimi triler drame Lost a Girl redatelja, scenarista i producenta Nicholasa Wintera.
Saskia se odlučila pozdraviti sa svojim bivšim dečkom i sestrom, kao i sa zadnjim ostacima svog teškog djetinjstva, i napokon okrenuti novu stranicu u svom životu. Novi grad, novi posao, novi početak! Ali taj novi početak i neće biti tako jednostavan kao što je Saskia mislila. Pa tako već od prvog dana na njezinom novom radnom mjestu vlada neka neugodna napetosti između nje i njenih kolega. Osjećaj izolirani, usamljenosti i urotio protiv nje od strane njezinih suradnika. Ali nije sve kao što se čini. Naime nakon tajnog sastanak sa svojim šefom Saskia saznaje mogućnostima korporativne sabotaže i atentata na pojedine zapolsenike, te biva uvučena u opasan svijet paranoje, ljubomore i izdaje.
U glavnoj ulozi se pojavljuje Natasha James, a tu su još William Snape, Randa Hajallie, Nina Hatchwell, Paul Marlon, Jason Wing, Millie Midwinter-Lean, te Adele Pearson. Film je premijerno prikazan u Velikoj Britaniji 09. rujna 2013., a zatim je pušten u online distribuciju 28. listopada 2103. te se može kupiti putem oficijelne stranice.
TRAILER
RADNJA
A new job, a new city, a new start. As Saskia waves goodbye to her ex-boyfriend and sister, with them go the last vestiges of a scarred childhood, and for the first time she feels the excitement and potential of a life away from the demons of her past. Having settled into the job, Saskia becomes aware of unusual tensions between herself and her colleagues. Animosity and hostility circulate. Feeling isolated and alone, her co-workers appear to be conspiring against her, but all is not as it seems.
A clandestine meeting with her boss sets her mind racing about the possibilities of corporate sabotage and character assassinations and Saskia is plunged into a world of paranoia, jealousy and betrayal. An outside investigation is launched and Saskia is enlisted as a trusted employee to help with small tasks concerning the security of the company. With no one to turn to and mounting pressures on her performance at work, the cracks begin to appear. A malignant force permeates the darkness and encroaches on Saskia in ways she never thought possible.
Kate, a co-worker, goes missing, and the police begin an investigation. It seems someone is trying to frame Saskia and she needs to find out who, before it’s too late. Saskia learns that her actions have terrifying consequences, and as truths are uncovered, an evil is unleashed that she had long forgotten but could never escape.
SLIKE