Možda su neki od Vas na spomen ovog naslova pomislili kako je ovdje riječ o filmu koji se bavi disko scenom 90-ih, no to ipak nije slučaj, na sreću ili na žalost pojedinaca. Hardkor Disko  je zapravo psihološka drama iz Poljske iza koje stoji redatelj i ko-scenarist Krzysztof Skonieczny. Hardkor Disko  je priča o nemogućoj ljubavi, očajničkoj potrazi za identitetom, o krivnji, osvete i kazni! Ali također i pričao tome kako su mladi ljudi danas sve više i više dezorijentirani u svom hedonizmu, konzumaciji, agresiji, samouništenju i pretjeranoj osjetljivosti. To je opažanje i komentar na sadašnjost u kojoj sva pravila čini se u potpunosti zanemarena i sve besciljno “luta” prema praznini.
Dakle, mogli bi smo zaključiti da Hardkor Disko definitivno nije film za sve, a najmanje za one željne tek nekakve usputne zabave uz koju će odmoriti mozak. Naprotiv, oni koji su ga imali prilike pogledati opisuju ga kao tešku, sporu, pomalo čudnu ali atmosferičnu psihološku dramu koja koketira sa eksperimentalnim filmom. Glavne uloge igraju Janusz Chabior, Marcin Kowalczyk, Jasmina Polak, Ewa Skonieczna, te Agnieszka Wosinska.
Poljska premijera se održala još 01. travnja 2014., a film je zatim krenuo u redovnu distribuciju 04. travnja. A 26. lipnja je bio prikazan i na Edinburgh International Film Festivalu.

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TRAILER

RADNJA

Young man Marcin finds out a very important fact regarding his past and discovers his true identity. Consequently, he comes from the middle of nowhere to somwhere, to a big city, in order to settle the score and take revenge on his oppressors. Unexpectedly, he meets Ola, who turns out to be unusually close to him. Marcin enters her life, full of drugs, bohemian parties and illegal car races. Despite the initial doubts, he goes on to fulfill his plan – he kills. And yet, he cannot cope with the feelings that, in spite of their ties, grew between Ola and him. In this contemporary ancient tragedy, the gods allow for a catharsis, but not for a happy ending.

HARDKOR DISKO is a story about impossible love, about desperate search for identity, about guilt, revenge and punishment, and also about how young people today get more and more disoriented in their hedonism, consumptionism, agression, self-destruction and over-sensitivity. It is an observation and a commentary to the present in which all the rules seem to be ignored and everything drift towards emptiness.

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